Arturo Lindsay

SELECTED SOLO EXHIBITIONS
Selected Solo Exhibitions \| Selected Group Exhibitions \| Art Projects & Performances \| Critiques & Reviews \| Scholarly Publications \| Lectures & Panel Discussions \| Awards & Recognition \| Public & Corporate Collections \| Represented in Private Collections in: \| Education
Arturo Lindsay Resume 4026 Birchwood Cove, Decatur, GA 30034 (404) 223-7653 (Office) (770) 808-8497 (Home) (404) 215-7771 (Fax) e-mail: arturo.lindsay@gmail.com Studio in Portobelo:Taller Portobelo c/o Sandra Eleta Apartado 157, Panama 5, Panama tel.: 011.507.226.2035
2006 •	The Sumter County Gallery of Art, Arturo Lindsay: Healing			Sumter, SC
	Clifford Gallery, Colgate University, Transition: Changes at the Crossroad in the Life & Art of Arturo Lindsay			Hamilton, NY
2004 •	City Gallery at Waterfront, Mapping Ports: Sullivan's Island, Goreé Island, Portobelo, Havana and Seville, a retrospective exhibition			Charleston, SC
2000 •	Lonyear Museum, Colgate University - Santuario/Sanctuary			Hamilton, NY
1999 •	Segunda Bienal Iberoaméricana de Lima - Salones de Artistas Invitados
•	Pancho Fierro, Retorno de las ánimas Africanas			Lima, Peru
1998 •	Animas, arcángeles y antepasados: Recent Work by Arturo Lindsay
		Diggs Gallery, Winston-Salem State University (1998)		WinstonSalem, NC
		Intermedia Art Center (1997)		Minneapolis, MN
		Nexus Contemporary Art Center (1996)		Atlanta, GA
1994 •	Museo de Arte Contemporaneo
		Canto a la Libertad de Africa a America		Panama, Panama
•	Chassie Post Gallery Congo Spirits			Atlanta, GA
1993 •	Franklin Furnace El Monte: A Tribute to Lydia Cabrera			New York, NY
1992 •	Chastain Gallery Las Siete Potencias Africanas			Atlanta, GA
1988 •	Hammonds House Gallery Ancestral Effigies			Atlanta, GA
1986 •	Gallery 69 Arturo Lindsay: Recent Work			South Bronx, NY
1984 •	Sutton Gallery Collaborations			Houston, TX
1983 •	Augusta Savage Gallery Arturo Lindsay: Recent Work			Amherst, MA
1982 •	Mona Berman Gallery Ancestral Guardians			New Haven, CT
1981 •	Old State House Gallery Arturo Lindsay: Recent Work			Hartford, CT
•	Trinity College Arturo Lindsay: Recent Work			Hartford, CT
1977 •	Craftery Gallery Arturo Lindsay			Hartford, CT
1972 •	Bridgewater State College Arturo Lindsay			Bridgewater, MA
1971 •	Central Connecticut State University Arturo Lindsay			New Britain, CT
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SELECTED GROUP EXHIBITIONS
2007 •	Georgia College and State University, Kindred Spirits, a two-man show with Fahamu Pecou			Milledgeville, GA
2006 •	The Spelman College Museum of Fine Art, Recognize: The Spelman College Department of Fine Art Faculty Exhibition			Atlanta, GA
2005 •	Sumter County Cultural Commission, Requiem: Sumter, SC for the Accessibility 2005 - Transplanted Latino Artists in the USA. The Seventh Annual Exhibition of Installation Art ArteFerias de Portobelo 2005, Las Orquídeas Sculpture Park, Requiem for a Fool , a biodegradable sculptural installation. Portobelo, Panama Sonja Stone Haynes Black Culture Center, University of North Carolina, Chapel Hill, Como se cuenta le cuento-How the Story is Told, an exhibition of Taller Portobelo			Sumter, SC Portobelo, Panama Chapel Hill, NC
2004 •	Hammonds House Galleries, Como se cuenta le cuento-How the Story is Told, an exhibition of Taller Portobelo 3TEN HAUSTUDIO, "studio sweepings" The Columbus Museum, Redefining Georgia: Perspectivas en Arte Contemporáneo			Atlanta, GA Atlanta, GA Columbus, GA
2003 •	ArteFerias de Portobelo 2003, Las Orquídeas Sculpture Park, Retorno de las ánimas , a biodegradable sculptural installation			Portobelo, Panama
2002 •	Blackridge Hall Gallery, The Georgia College & State University Reinventing Traditions: Congo Art of Taller Portobelo			Milledgeville, GA
2001 • • •	XVI Festival Iberoamericano de Teatro, Santuario de los reyes, una obra collectiva del Taller Portobelo City Gallery East, Pertenecer Belonging Modern Primitive Gallery, Congo Art of Taller Portobelo			Cadiz, Spain Atlanta, GA Atlanta, GA
2000 •	Museo de Arte Contemporaneo, Panameños en la bienal de Lima			Panama, Panama
•	EXMA' Centro Culturale D'Arte e Cultura, Percorsi dello Spirito Anno Duemila			Cagliari, Italy
•	Kubatana Gallery, Transgressions and Transformations, a two person exhibition with Michael Harris			Atlanta, GA
•	Convento de Santo Domingo, Arco Chato, Altares			Panama, Panama
•	Ruth Hall Hodges Art Gallery, Morris Brown College Remembrance of a Legacy			Atlanta, GA
1999 •	Smithsonian Institution, Anacostia Museum and the Center for African American History and Culture, Locating the Spirit: Religion and Spirituality in African American Art			Washington, DC
•	Cinque Gallery, Artists in the City			New York, NY
1998 •	Cittadella dei Musei Piazza Arsenale, Organized by Centro Culturale Man Ray, Percorsi dello Spirito			Cagliari, Italy
•	Spelman College Museum of Fine Art, Divergent Journey/ Aesthetic Convergence			Atlanta, GA
1997 •	Smithsonian Institution, In Search of Balance: The ArtistScholar			Washington, DC
•	Salón Internacional de Estandartes ES97
		Centro Cultural Tijuana Museo Rufino Tamayo		Tijuana, Mexico Mexico City, MX
1996 •	Palazzo del Esposizioni, Roof Garden, Plexus Performance/Installation: The Ark of the Well Being			Rome, Italy
	• Art in Atlanta
	(A traveling exhibition organized by Artist-in-Residence International)
		The Chamber of Commerce		Magdeburg, Germany
		Amerika Haus		Munich, Germany
		Amerika Haus		Berlin, Germany
		Amerika Haus		Frankfurt, Germany
		Amerika Haus		Hamburg, Germany
		Amerika Haus		Cologne, Germany
		Hatton Gallery		Newcastle-Upon-Tyne, England
	King Plow Gallery			Atlanta, GA
1995 •		El Museo del Barrio Reaffirming Spirituality		New York, NY
1994 •	Telfair Museum Mapping the Self: Models of Identity in a Postmodernizing State			Savannah, GA
•	International Museum of Art and Design Distant Visions: International Influences on Georgia Artists			Atlanta, GA
1993 •	The Mexican Museum (organizer of traveling exhibition) Ceremony of Spirit: Nature & Memory in Contemporary Latino Art			San Francisco, CA
		Western Washington University (1994)		Bellingham, WA
		Studio Museum in Harlem (1995)		New York, NY
		Laguna Gloria Art Museum (1995)		Austin, TX
		Boise Art Museum (1996)		Boise, ID
		Fresno Metropolitan Museum (1996)		Fresno, CA
•	University of Cincinnati Eight + One from Atlanta			Cincinnati, OH
•	Brenau University Hispanic Imprints			Gainesville, GA
1992 •	Museo de Arte Contemporaneo, Bienal de Arte Pictórico			Panama, Panama
1991 •	High Museum of Art, Southern Expressions: Tales Untold			Atlanta, GA
1990 •	Christies Auction, NAACP Legal Defense Fund Benefit			New York, NY
1989 •	Franklin & Marshall College, Faculty Exhibition			Lancaster, PA
•	Carlton Cobb Gallery, Gallery Artists			Atlanta, GA
•	Longwood Art Center			South Bronx, NY
1988 •	Aljira Gallery, Art from the African Diaspora: Survival			Newark, NJ
•	NITE Gallery			East Village, NY
1987 •	Sanctuary of Sa Itria, Plexus International			Sardinia, Italy
•	Museo de Arte Contemporaneo, Encuentro de Escultura			Panama, Panama
•	Fashion Moda			South Bronx, NY
•	Fondo del Sol, Homage to the Afro-Latino			Washington, D.C.
1986 •	Kenkeleba Gallery			East Village, NY
•	Museum of Contemporary Hispanic Art, Caribbean Art: African Currents			SoHo, NY
1985 •	ACBAW Gallery, Artistas Latinos			Mt. Vernon, NY
1984 •	The High Museum of Art, African American Art in Public & Corporate Collections			Atlanta, GA
•	The Drawing Room Gallery			Houston, TX
•	Midtown Art Center, Contemporary Houston Art			Houston, TX
•	Little Egypt Gallery			Houston, TX
1983 •	Museum of African American Art Artists of the '80s			Los Angeles, CA
1982 •	Crystal Britton Gallery			Atlanta, GA
1981 •	Trinity College			Hartford, CT
•	R.Thompson Gallery			Baltimore, MD
1980 •	Castle Gallery, College of New Rochelle 14 Latin American Artists			New Rochelle, NY
•	Slater Memorial Museum, Connecticut Black Artists			Norwich, CT
•	Cayman Gallery			SoHo, NY
1976 •	Davidson Art Center, Wesleyan University Black & Hispanic Visions			Middletown, CT
•	Asylum Hill Cooperative Gallery			Hartford, CT
1973 •	Wadsworth Athenaeum, Through Young Black Eyes			Hartford, CT
1972 •	Wadsworth Athenaeum, Through Young Black Eyes			Hartford, CT
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ART PROJECTS & PERFORMANCES
2004 •	The Erosion Project, for Plexus International			Dakar, Senegal
2002 •	The Voyage of the Delfina, a performance art ritual. In collaboration with poet Opal Moore, musician Joe Jennings, filmmaker Ayoka			Atlanta, GA
2000 •	The Return of the Ancestral Messenger Through the Door of No Return Plexus Dakar			Goree, Senegal
1994 •	Plexus Interactive Art & Science Project Cagliari Museum			Sardinia, Italy
1992 •	Transmission of the Fleet of Projects, (a Plexus Fax performance) University of Cagliari			Sardinia, Italy
1990 •	Plexus Black Box Teatro Coliseo			Rome, Italy
•	Feeding of St. Andy's Aura Franklin and Marshall College			Lancaster, PA
•	Feeding of St. Andy's Aura Gettysburg College			Gettysburg, PA
1989 •	Feeding Mother Earth after Hugo and The Frisco Quake Sonora Desert			Tucson, AZ
•	Feeding St. Andy's Aura Nuyorican Poet's Cafe at CUANDO			East Village, NYC
1988 •	Plexus Art Co-Opera #5: The Serpent CUANDO			East Village, NYC
•	Homenaje a Miky Piñero: a performance art ritual Nuyorican Poet's Cafe			East Village, NYC
•	Mummification of the Art Object Henry Street Settlement			New York, NY
1987 •	Plexus Parade of the Serpent			Rome, Italy
•	Plexus Art Co-Opera #4: The Serpent of Stone			Sardinia, Italy
•	Artist Contemplating the Fate of Those Who Speak of Freedom
		-Fashion Moda		South Bronx, NY
		-Franklin Furnace		Staten Island Ferry
		-Kenkeleba Gallery (1986)		East Village, NY
1986 •	Plexus Art Co-Opera #3: Eve CUANDO			East Village, NY
•	Plexus Art Co-Opera #2: Purgatorio CUANDO			East Village, NY
•	Performance Drawing Shuttle Lab			East Village, NY
•	Collaboration with John Betsch and Ghengis Nor Shuttle Lab			East Village, NY
1984 •	Smoke Voices with Ntzoke Shange Sutton Gallery			Houston, TX

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CRITIQUES AND REVIEWS
2000 •	Talingo, La Prensa "Panameños en la Bienal de Lima" by Adrienne Samos, Panama, Panama No. 380. 3 September 2000
1999 •	African Arts, "Individuality and Tradition A Conversation with Three Contemporary Artists" by Lowery Stokes Sims, Special Issue Authorship in African Art, Part 2 Alisa LaGamma, Guest Editor, Spring 1999, VolumeXXXII, Number 1, pp. 36-39
1998 •	Winston-Salem Journal, "Cultural Ancestry" by Tom Patterson, Winston-Salem, NC 29 March
•	Winston-Salem Journal, "Of Rich Roots" by Tom Patterson, Winston-Salem, NC 15 February p. E1
1997 •	Star Tribune, "Panamanian Artist Illuminates Forgotten Black History" by Mary Abbe, Minneapolis, MN 10 October p. E17
1996 •	The Village Voice, "Altered States," by Ed Morales, New York, NY 1 October 1996, p. 40
•	Art Nexus Internacional, "Arturo Lindsay," by Gerardo Mosquera. September pp. 121-122
•	The Atlanta Journal/The Atlanta Constitution "Pain and Redemption Rodriguez, Lindsay take personal, cultural journeys" February 9, p.22 1995 - The Atlanta Journal/The Atlanta Constitution Weekend Preview - Visual Arts Oct. 20, p.1
1994 •	La Prensa, "De Atlanta a Portobelo" November 3
•	El Panama América, "La Negritud: Símbolo y rito en Arturo Lindsay" December 15, p. D8
•	La Estrella de Panama, "Canto a la libertad de Africa" December 25, p. C5
•	The Atlanta Journal/The Atlanta Constitution "Art traces Panama's African roots" August 12
1993 •	Art Forum, "Arturo Lindsay at Franklin Furnace" November, 1993
•	Art in America, "Arturo Lindsay at Chastain Gallery" April, Volume 81, no. 4, pp. 136
•	International Review of African American Art, "Cross-Cultural Ritual As Art, The Performances of Arturo Lindsay" Volume 10, no. 2, pp. 25-27
1992 •	Creative Loafing, "The Art of Icons" September 5, pp. 29-33
•	The Atlanta Journal/The Atlanta Constitution, "Lindsay's Altars to Diversity" July 26, p.N2
•	The Atlanta Journal/The Atlanta Constitution, "Vignettes Pay Homage to the Icons of Santería" July 31, p. G2
1991 •	Atlanta Journal / Atlanta Constitution, "Exercises for Imagination Unravel in 'Tales Untold'" October 31, p. D7.
•	Art Papers, January & February, Volume 16, no. 1, "Southern Expressions: Tales Untold" pp. 50-51
1988 •	Atlanta Constitution, "Ancestral Effigies-A Moving Collection" June 15, p 38 CNN News, June 15
1987 •	La Nuova, Sardinia, Italy
•	Revista 30 Dias, Panama City, Panama, p 56
•	New York Art Review
1986 •	7th Edition, Who's Who in American Art
1985 •	International Review of African American Art, Volume 6, no. 2, pp. 58-63
•	Gannett Westchester Newspaper, Mount Vernon, NY, Nov. 29, p 17
1982 •	Art in America, August, Volume 70, no. 7, pp. 102 & 109
•	Hartford Courant, Hartford, CT, November 14
1981 •	Northend Agents, Hartford, CT, April 20, p 12
1978 •	Looking Better, Connecticut Public Television, Hartford, CT
•	Southside Neighborhood News, Hartford, CT, September 7, p 11
•	The Hartford Courant, Hartford, CT, August 22
1977 •	Northend Agents, Hartford, CT, July 3, p 1
•	The Hartford Courant, Hartford, CT
•	The Hartford Times, Hartford, CT, September 19, p 31
•	The Advocate, Hartford, CT, August 18, p 15
•	The Inquirer, Hartford, CT, August 21
1976 •	The Hartford Courant, Hartford, CT, August 13, p 23
1975 •	The Hartford Times, Hartford, CT, June 29, p 17
1973 •	Daily News, Springfield, MA, December 4, p 23
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SCHOLARLY PUBLICATIONS
2001 •	"Trono de Shangó: an Orisha Altar in the Yoruba-Cuban Diaspora," Altars of the World, a museum exhibition catalogue. Kunst Palast Museum, Düsseldorf, Ger.
•	Black Christs in the Americas, co-editor (forthcoming)
•	"I Return to Find the Child I Left Behind," Post-Modern Pilgrimages, edited by Louis Ruprecht, Jr. (forthcoming)
•	"The Research Methods of an Artist-Ethnographer on the Congo Coast of Panama," Reconceptions: New Ecologies of Knowledge, eds., Marsha Meskimmon and Martin Davies London: I.B. Tauris House (forthcoming)
•	Santería Aesthetics in Contemporary Latin American Art, Second edition, editor. Smithsonian Institution Press. Washington D.C.
2000 •	"The Allure of the Naza," The Aesthetics of Enchantment in the Fine Arts, eds., Kronegger and Tymieniecka, Analecta Husserliana LXV Lancaster, UK: Kluwer Academic Publishers
1999 •	"Albert Chong: ‘It’s Complex,’" Fresh Talk/Daring Gazes: Asian American Issues in Contemporary Art, edited by Elaine Kim and Margo Machido. University of California Press.
1996 •	Santería Aesthetics in Contemporary Latin American Art, editor. Smithsonian Institution Press. Washington DC
1993 •	"Mestizaje and the Postmodern Aesthetic," Ceremony of Spirit - Nature and Memory in Contemporary Latino Art, The Mexican Museum, San Francisco, CA
1990 •	Review of Francisco Goya, The Tapestry Cartoons and Early Career at the Court of Madrid, by Janis A. Tomlinson. Cambridge University Press, 1989. Society for Spanish and Portuguese Historical Studies Bulletin, Vol. XV No. 2.
•	"The Images of Imna Arroyo," The Image(s) of the Afro-Hispanic Woman in Latin American Literature and Culture, conference proceedings edited by Elba Birmingham- Pokorny. English and Foreign Languages Department Southern Arkansas University, Magnolia, Arkansas.
1989 •	"Orishas: Living Gods in Contemporary Latin American Art," The Black Image in Latin American Culture, conference proceedings edited by Elba Birmingham-Pokorny. Department of Modern Languages and Cultures, Slippery Rock University.
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LECTURES AND PANEL DISCUSSIONS
2001 •	"The Congos of Portobelo, a Creolized Culture in America," a slide lecture at Dillard University, New Orleans, LA
2000 •	"Preserving the Old While Creating New Traditions on the Congo Coast of Panama," a slide lecture for the "Visual Culture, Ritual and Artistic Production" panel. "Diasporas africaines dans l'ancien et le nouveau monde: conscience et imaginaire" conference, at the Sorbonne, l'Institut d'Anglais Charles V, and the University of Paris, Paris France.
1999 •	"Orishas, Ancestors, and Guardian Angels," a slide lecture on my work for African- based Religion in Contemporary African American Art, The 10th Annual James A. Porter Colloquium on African American Art, Howard University, Washington, DC
•	"Arte y pensamiento de un artista al fin del mileneo," a slide-lecture on my work. University of Panama.
1998 •	"The Spirits Within," a slide-lecture on my work for the Contemporary Artists: Issues of Individuality and Tradition panel discussion and colloquium in conjunction with the exhibition Master Hand: Individuality and Creativity among Yoruba Sculptors at the Metropolitan Museum of Art, New York City.
1997 •	"In Search of Balance: The Artist Scholar," a panel discussion at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
•	"Research Methods of an Artist-Ethnographer," a slide-video-lecture at Maine College of Art
1996 •	The Evolution of the Contemporary Artist-Scholar, Panel chair, 1996 College Art Association Conference, Boston, MA
1995 •	"Los Congos de la Costa Arriba: A Living Tradition in Art," a slide-lecture for The Arts Council of the African Studies Association Third Triennial Symposium of African Art, New York City. Panel: The Place of Popular Culture in the Art of the African Americas
•	"Tecnología moderna para preservar la historia oral," lecture at Nuestro Legado Cultural Sociedad de Amigos del Museo AfroAntillano de Panamá, University of Panama
•	"My Journey on the Congo Coast of Panama," a slide-lecture at Telfair Museum, Savannah, GA and SUNY Brockport
1994 •	"Afro-Cuban Influences in the Art of Arturo Lindsay," a lecture at Brandeis University
•	"Research Methods of an Artist-Ethnographer," a slide-lecture Blending Cultures: Creolization and Cross-Cultural Practices in Contemporary Art in the Native, Latino, and African Americas, 1994 College Art Association Conference, New York, NY
1992 •	"Santería Aesthetics in Contemporary Latino Art," a slide-lecture, African Presence in the Americas conference, Casa de las Américas, Habana, Cuba
•	"Orishas: Living Gods in the Art of Contemporary Caribeño Artists," a slide-lecture, Religion and the Counter-Hegemony in the Caribbean, Caribbean Studies Association conference, Grenada, W.I.
•	"Synthesis, Syntax, and Syncretism in Postmodern Art," Curator's Talk, Atlanta College of Art, Atlanta, GA
•	"Orishas: Living Gods in Contemporary Latino Art," a slide-lecture, Santería Aesthetics in Contemporary Latino Art symposium, Spelman College, Atlanta, GA
•	"Santería Aesthetics in Contemporary Hispanic Art," Panel Chairman, 1992 College Art Association Conference, Chicago, IL
•	"Mestizaje and the Aesthetics of Santería," a slide-lecture, Eastern Illinois University
•	"Mestizaje and the Aesthetics of Santería," a slide-lecture, University of Kentucky
1991 •	"Mestizaje and the Postmodern Aesthetic," a slide lecture, Somos Artistas panel, 1991 College Art Association Annual Conference, Washington, D.C.
•	"Yoruba Aesthetic Concerns in Contemporary Art," a slide-lecture at the High Museum of Art, Atlanta, GA
1990 •	"The Art of Arturo Lindsay," a slide/video/lecture, Gettysburg College, Gettysburg, PA
•	"Orishas: Living Gods in Contemporary Latin American Art," a slide-lecture at the 1990 Mid-Atlantic College Art Association Conference, Tucson, AZ
•	"Orishas: Living Gods in Contemporary Latin American Art," a slide-lecture at Spelman College 1989 - "Orishas: Living Gods in Contemporary Latin American Art," a slide-lecture at the 2nd Annual Hispanic Culture & Literature Conference, Black Image in Latin American Culture, Slippery Rock Univ.
•	"The Art of Arturo Lindsay," a slide/video/lecture, University of Arizona, Tucson, AZ;
•	"The Art of Arturo Lindsay," a slide/video/lecture, Franklin and Marshall College
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AWARDS AND RECOGNITION
2000 •	Spelman College - Merrill International Travel Grant
1999 •	Fulbright Senior Scholar Award - Panama, The J. William Fulbright Foreign Scholarship Board
1997 •	Spelman College Presidential Award for Scholarship
1996 •	Commissioned Artist, "17 Days of the Olympics" Hartsfield International Airport, Atlanta
	Commissioned Artist, Nexus Contemporary Art Center, Corporation for Olympic Development in Atlanta
	Board of Directors, College Art Association CAA
	Artist-in-Residence, Maine College of Art
1995 •	Artist Advisory Board, The High Museum of Art, Atlanta
1994 •	Lila Wallace-Reader's Digest International Artist Award
1993 •	Scholar-in-Residence, New York University
	Individual Artist Fellowship, Georgia Council for the Arts
	Panelist, National Endowment for the Arts, Visual Arts Programs
	Bush Faculty Development Grant, Spelman College
1992 •	Bush Faculty Development Grant, Spelman College
1991 •	Bush Faculty Development Grant, Spelman College
1990 •	Who's Who in the East
1986 •	Who's Who in American Art
1981 •	First Prize Sculpture, The Second Annual Atlanta Life Insurance Company National Art Competition and Exhibition
1980 •	Invited guest to the White House by President Jimmy Carter
1979 •	Invited to CARIFESTA by the Government of Cuba
	Individual Artist Grant, Connecticut Commission on the Arts
1978 •	House Resolution No. 395, Honoring Arturo Lindsay, Connecticut General Assembly
1977 •	Connecticut Public Television, one hour special featuring muralist Arturo Lindsay
1976 •	Individual Artist Grant, Connecticut Commission on the Arts

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PUBLIC AND CORPORATE COLLECTIONS Hartsfield International Airport Atlanta, GA Nexus Contemporary Art Center Atlanta, GA City of Gavoi Sardinia, Italy Museo de Arte Contemporaneo Panamá, Panamá Slater Memorial Museum Norwich, CT Royal-Athena Galleries New York/Beverly Hills National Union of Cuban Writers and Artists Havana, Cuba King and Spalding, attys. Atlanta, GA Atlanta Life Insurance Company Atlanta, GA Amistad Cultural Resource Center Hartford, CT Milton Lewis Howard and Associates Hartford, CT University of Massachusetts Amherst, MA
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REPRESENTED IN PRIVATE COLLECTIONS IN:
		Rome, Italy Hartford, CT Milan, Italy Panama City, Panama Cali, Colombia Chicago, Illinois New Rochelle, NY	Atlanta, GA Lancaster, PA Washington, D.C. Houston, TX Ghana, West Africa New York, NY
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EDUCATION 1990 Doctor of Arts, New York University, Dissertation title: Performance Art Ritual As Postmodern Thought: An Aesthetic Investigation 1975 Master of Fine Arts, University of Massachusetts, Amherst - Painting 1970 Bachelor of Arts, Central Connecticut State University - Spanish/Theater
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