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Los Congos de Costa Arriba: A living tradition in art
Arturo Lindsay © 1997
 
In 1502, on his fourth and final voyage to the Americas, Christopher Columbus entered a natural harbor on the Caribbean coast of Panama which he called Porto Belo, Italian for beautiful harbor. By the end of the century Portobelo had become one of the most important Spanish settlements in the Americas. The first Africans to arrive in the Americas with the Spaniards were hispanized having lived in Spain as servants, artisans, and slaves. They were called negros ladinos, and in the early days of Portobelo, served similar roles as they had in Spain. Literally translated ladino means eloquent or versatile. Soon after however, enslaved Africans directly imported for hard labor, referred to as negros bozales, began arriving in Panama for the building of roads and houses, clearing the jungle, pearl diving, or working in the mines and on plantations. Literally translated bozal(es) means wild or untamed. As gold and silver was discovered in South America, the need for slave labor increased and Portobelo became the seat of embarkation for more captured Africans. These Africans were later marched over land to Panama City on the Pacific coast for passage to South America. The gold and silver from South America was then shipped to Panama City where slaves along with mules transported it to waiting ships in Portobelo which then sailed to Spain.

 

From the moment Africans were captured in their native lands the will to escape dominated their daily lives. Slaves on the Northeast coast of Panama, also referred to as Costa Arriba, began escaping in large numbers. Their descendants who still live in this region are known today as Congos. Their legend and historical accounts record the names of several well known kings among them Felipillo, a ladino; Bayano, an African prince in his own land; Domingo Congo; Antón Mandinga; Luis de Mozambique, and Juan de Dioso. When the Africans escaped they headed directly to the jungle and the mountains where the Spanish encountered great difficulties trying to recapture them. Because of the similarity of climatic conditions and vegetation between West Africa and Panama, they had an advantage over the enslavers who pursued them.

 

Congo performance today is a dramatized oral tradition that brings to life the history and culture of the group beginning each year on the 20th of January with the raising of the Congo's black and white flag, and ending on Ash Wednesday with the "baptism of the devils." The tradition consists of six essential elements including a complex social structure, jargon, material culture, music, dance, drama, and culinary traditions. These traditions are manifested during the carnival period in Panama.

This slide-video-lecture will present the traditions of the Congos of Costa Arriba based on research conducted by Dr. Arturo Lindsay over the last three years and two field trips made in 1993 and 1994.
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